Most groups concentrate on prose – novels, memoirs, biographies, historical accounts or topical debates. But reading plays and poems can add variety and challenge.
Poetry
There are lots of poetry anthologies around, organised by period or theme – love, war, comic verse, the nation’s favourites etc.
The idea of poetry can be a bit intimidating, for group members and facilitators. But it needn’t be. Get some suggestions from the group to start with or browse through the anthologies and choose a few poems that seem easy on the eye and ear. Photocopy them and get the group to choose one for the last few minutes of the session, either reading it round or getting a volunteer to read the whole thing. Invite comments but emphasise that it’s fine just to listen and enjoy the sounds and images. Then if there’s time, perhaps read it again just before you finish For some groups, the poem at the end has become the highlight of the meeting.
A few individual poems that have gone down well:
- ‘How to Triumph Like a Girl’ by Ada Limon
- ‘Stopping by Woods’ by Robert Frost
- ‘The Road Not Taken’ by Robert Frost
- ‘First Memory’ by Louise Gluck
- ‘Hope is the Thing with Feathers’ by Emily Dickinson
- ‘Those Winter Sundays’ by Robert Hayden
- ‘Thaw’ by Edward Thomas
- ‘This be the Verse’ by Philip Larkin
- ‘This be the Worst’ by Adrien Mitchell
- ‘Everything is going to be All Right’ by Derek Mahon
- ‘The Politics Of’ by Sean O’Brien
- ‘Bulletin from the Daily Mail’ by Alan Gillis
The Eagle
Alfred Lord Tennyson
He clasps the crag with crooked hands;
Close to the sun in lonely lands,
Ring’d with the azure world, he stands.
The wrinkled sea beneath him crawls;
He watches from his mountain walls,
And like a thunderbolt he falls.
Choose
Carl Sandburg
The single clenched fist lifted and ready,
Or the open asking hand held out and waiting.
Choose:
For we meet by one or the other.
Poems can catch the attention of newer readers and help them discover the pleasures of uncertainty.
Plays
Plays may feel like unfamiliar territory but they can be stimulating and good fun to read and explore with a group. A few tips:
- Encourage everyone to take part in the reading, sharing out the characters and taking turns
- Make sure someone reads out any stage directions, information about setting, character descriptions etc – these are often very important but are sometimes overlooked
- Read the first scene or two and then perhaps stop to discuss first impressions
- characters: how do people visualise them – age, clothes, posture, how would they move? what actor might play each one?
- setting: where is the action taking place? What props should the characters have?
- how might the initial situation develop?
There are lots of websites with short one-act plays to download free. And you can browse some of them by theme, playwright, cast size etc. See for example: One Act Plays. Plays and TV/film scripts that groups have enjoyed include 12 Angry Men by Reginald Rose, Fantastic Beasts: The Crimes of Grindewald (the complete screenplay) and Fantastic Beasts: The Secrets of Dumbledore (the complete screenplay) by J.K Rowling.
Some Classics
A Streetcar Named Desire by Tennessee Williams
The play stars Blanche DuBois, a former Southern belle who leaves her once-prosperous life behind to move into a shabby New Orleans apartment rented by her sister and brother-in-law.
Who’s Afraid of Virginia Woolf? by Edward Albee
The play dramatises the dysfunctional and self-destructive marriage between a history professor and his wife, witnessed over the course of one night (or, technically, one very early morning) following a party.
A Doll’s House by Henrik Ibsen
The play concerns the fate of a married woman in Norway, who lacks opportunities for fulfilment in a male-dominated world. It was a great sensation at the time, and caused a “storm of outraged controversy.”
For groups that want to give Shakespeare a go, the No Fear Shakespeare series is a good parallel text edition, with the original and a modern version on facing pages.
There is also a published series called Classical Comics which are graphic adaptations of classic works of literature, including Shakespeare plays. They are available in three different versions: original text, modernised text and abridged text.
